Review of: Vhs 3 Stream

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On 06.10.2020
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Und der Scheidung steht aus dem Jahr besitzen. Emily davon kam nie zuvor hatte einst nicht gerade live im Magen schlgt.

Vhs 3 Stream

Live-Stream: Deutsche Kolonialzeit (3). Kursleiter/-in: Roland Funk. Wann: Mi. , - Uhr. Wie oft: 1 Abend. Wo: Livestream - mitmachen von. Marktredwitz, Egerland-Kulturhaus, vhs-Seminarraum. Nr.: DAF - Eltern-​Integrationskurs Deutsch 62 - Modul 3 - Gruppe A. Wann: Do. Live Stream. Nr. xuwei USB HDMI Video Capture Card Live Streaming VHS Grabber Recorder Teaching Recording HD P - Kostenloser Versand ab 3,6 von 5 Sternen.

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Kursprogramm der Vhs Vaterstetten Erwachsenenbildung. ab ,​00 - Uhr. Kursort: Poing, VHS, Friedensstr. 5, Raum 3. Aktuelle Online-Kurse und Livestreams der VHS vor Ort. Die unten Die Präsidentschaftswahl in den Vereinigten Staaten ist für den 3. November Jetzt im Programm der vhs stuttgart den richtigen Kurs finden. Internationale Politik (3 Kurse) · alle Kurse Live-Stream:vhs Pressecafé Amerika hat gewählt. Kursnummer, ew. Dozentin, Prof. Kathleen Wermke. Datum, Mittwoch, ​ – Uhr. Gebühr, 3,00 EUR. Ort. vhs im Netz Online-Kurs. Live-Stream: Deutsche Kolonialzeit (3). Kursleiter/-in: Roland Funk. Wann: Mi. , - Uhr. Wie oft: 1 Abend. Wo: Livestream - mitmachen von. Als vhs Celle sind wir uns unserer Verantwortung bewusst und achten darauf, dass wir als Streaming-Angebot in der Stadtbibliothek Celle, Arno-Schmidt-​Platz 1, statt. ab , - Uhr. Kursort: Celle; VHS, Trift 17, Raum 3. Internetauftritt der VHS Worms. einem Online-Sprachkurs bieten wir Ihnen in diesem Semester einige Vorträge als Online-Stream an. Mein Laptop - Teil 3.

Vhs 3 Stream

Aktuelle Online-Kurse und Livestreams der VHS vor Ort. Die unten Die Präsidentschaftswahl in den Vereinigten Staaten ist für den 3. November *4hN(HDp)* Film The Scorpion King 3 - Kampf um den Thron Streaming Deutsch *VHs(HDp)* Film The Ones Below Streaming Deutsch. Kursprogramm der Vhs Vaterstetten Erwachsenenbildung. ab ,​00 - Uhr. Kursort: Poing, VHS, Friedensstr. 5, Raum 3. Vhs 3 Stream

Vhs 3 Stream - Aktuelles aus Ihrer vhs Worms

Aktuelles aus der Volkshochschule. Siehe Details.

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Bitte beachten Sie weiterhin gewissenhaft die Abstands- und Hygieneregeln. Seitenbereiche: Navigation - Seiteninhalt - allgemeine Informationen. Eine Klärung mit den Entscheidern erfolgt noch in dieser Woche Herbstferienwoche. Oktober bis Halloween H20 Vs. Molly Henery. There are those Shaky cam parts but with it but not all like that, it didn't feel the same. Official Sites. That leaves web developers in the unfortunate position of having to maintain alternate renditions of the same video and potentially having to forego HTML-based video 2k Movie 4k to provide the best desktop viewing experience. Vhs 3 Stream Vhs 3 Stream

Try to use videojs-http-streaming even on platforms that provide some level of HLS support natively. There are a number of platforms that technically play back HLS content but aren't very reliable or are missing features like CEA captions support.

When overrideNative is true, if the platform supports Media Source Extensions videojs-http-streaming will take over HLS playback to provide a more consistent experience.

Since MSE playback may be desirable on all browsers with some native support other than Safari, overrideNative:! When the blacklistDuration property is set to a time duration in seconds, if a playlist is blacklisted, it will be blacklisted for a period of that customized duration.

This enables the blacklist duration to be configured by the user. When the bandwidth property is set bits per second , it will be used in the calculation for initial playlist selection, before more bandwidth information is seen by the player.

When enableLowInitialPlaylist is set to true, it will be used to select the lowest bitrate playlist initially. This helps to decrease playback start time.

This setting is false by default. If true, this will take the device pixel ratio into account when doing rendition switching.

This means that if you have a player with the width of px in a high density display with a device pixel ratio of 2, a rendition of p will be allowed.

When limitRenditionByPlayerDimensions is set to true, rendition selection logic will take into account the player size and rendition resolutions when making a decision.

This setting is true by default. When the smoothQualityChange property is set to true , a manual quality change triggered via the representations API will use smooth quality switching rather than the default fast buffer-ejecting quality switching.

Using smooth quality switching will mean no loading spinner will appear during quality switches, but will cause quality switches to only be visible after a few seconds.

Note that this only affects quality changes triggered via the representations API; automatic quality switches based on available bandwidth will always be smooth switches.

When allowSeeksWithinUnsafeLiveWindow is set to true , if the active playlist is live and a seek is made to a time between the safe live point end of manifest minus three times the target duration, see the hls spec for details and the end of the playlist, the seek is allowed, rather than corrected to the safe live point.

This option can help in instances where the live stream's target duration is greater than the segment durations, playback ends up in the unsafe live window, and there are gaps in the content.

In this case the player will attempt to seek past the gaps but end up seeking inside of the unsafe range, leading to a correction and seek back into a previously played content.

With customTagParsers you can pass an array of custom m3u8 tag parser objects. Similar to customTagParsers , with customTagMappers you can pass an array of custom m3u8 tag mapper objects.

This option forces the player to cache AES encryption keys internally instead of requesting the key alongside every segment request.

This option defaults to false. Runtime properties are attached to the tech object when HLS is in use. You can get a reference to the VHS source handler like this:.

If you were thinking about modifying runtime properties in a video. Your plugin won't work with videos that don't use videojs-http-streaming and the best plugins work across all the media types that video.

If you're deploying videojs-http-streaming on your own website and want to make a couple tweaks though, go for it! An object representing the parsed master playlist.

If a media playlist is loaded directly, a master playlist with only one entry will be created. A function that can be used to retrieve or modify the currently active media playlist.

The active media playlist is referred to when additional video data needs to be downloaded. Calling this function with no arguments returns the parsed playlist object for the active media playlist.

Calling this function with a playlist object from the master playlist or a URI string as specified in the master playlist will kick off an asynchronous load of the specified media playlist.

Once it has been retreived, it will become the active media playlist. The first is the network bitrate provided by bandwidth and the second is the bitrate of the entire process after that decryption, transmuxing, and appending provided by throughput.

This value is used by the default implementation of selectPlaylist to select an appropriate bitrate to play. Before the first video segment has been downloaded, it's hard to estimate bandwidth accurately.

The HLS tech uses a starting value of or 0. If you have a more accurate source of bandwidth information, you can override this value as soon as the HLS tech has loaded to provide an initial bandwidth estimate.

The number of bits decrypted, transmuxed, and appended per second as a cumulative average across active processing time. A function that returns the media playlist object to use to download the next segment.

It is invoked by the tech immediately before a new segment is downloaded. You can override this function to provide your adaptive streaming logic.

You must, however, be sure to return a valid media playlist object that is present in player. Overridding this function with your own is very powerful but is overkill for many purposes.

Most of the time, you should use the much simpler function below to selectively enable or disable a playlist from the adaptive streaming logic.

It is recommended to include the videojs-contrib-quality-levels plugin to your page so that videojs-http-streaming will automatically populate the QualityLevelList exposed on the player by the plugin.

You can access this list by calling player. See the videojs-contrib-quality-levels project page for more information on how to use the api.

If including videojs-contrib-quality-levels is not an option, you can use the representations api. To get all of the available representations, call the representations method on player.

This will return a list of plain objects, each with width , height , bandwidth , and id properties, and an enabled method. To see whether the representation is enabled or disabled, call its enabled method with no arguments.

The xhr function that is used by HLS internally is exposed on the per- player vhs object. While it is possible, we do not recommend replacing the function with your own implementation.

Instead, the xhr provides the ability to specify a beforeRequest function that will be called with an object containing the options that will be used to create the xhr request.

Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie?

Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Photos Movie Info. A police chase through the streets of Los Angeles inspires dozens of fame-obsessed teens to try to capture the salacious footage, but they are unaware that they will face their own deaths as stars of the next video sensation.

Aug 10, Patrick Lawrie Kev. Emmy Argo Scarlett. Heather Hayes. Jessica Luza. John Curran Blackstone. Justin Welborn Dante. Mary Ralston. Michael Aaron Milligan Clay.

Justin Benson Director. Gregg Bishop Director. Todd Lincoln Director. Aaron Moorhead Director. Marcel Sarmiento Director. Nacho Vigalondo Director.

Justin Benson Producer. Gary Binkow Producer. Gregg Bishop Producer. Theo Brooks Producer. RT Podcast: Ep. November 18, Full Review….

October 17, Full Review…. November 3, Rating: 3. August 23, Rating: C- Full Review…. August 23, Full Review…. View All Critic Reviews Mar 14, Dante the Great: The most fun of the entries across the whole series.

It does stand out in a bad way a little bit, firstly because it's a combination of fake "found footage" and fake "documentary" which Like it's weird to have sat through all these shorts and then suddenly have a guy giving an interview to a camera crew, and secondly because I think calling it horror is a stretch.

More of a Fantasy-action-comedy with some heavy gore right at the end. Parallel Monsters: Has the same problems as the previous film's "Safe Haven" entry, but fewer pros to counterbalance it.

Could probably be explored in a full length movie to better effect, but even that I'm unsure about. Bonestorm: The silliest and worst acted of the entire franchise, which truly is saying something.

The only thing it has going for it is also the dumbest thing about it. It's a 15 minute movie that is entirely aesthetic in value, the first and only entry with good video quality.

But this is supposed to be a collection of crappily filmed, glitchy footage, copied over to VHS tapes - so in what universe does it make sense?

Gimly M Super Reviewer. Apr 03, The film doesn't follow its own rules, as a lot of the videos don't conform to the conventions of found footage and some of the videos aren't even found footage.

And this might be excusable if the videos were any good, but most of them aren't. Dann M Super Reviewer.

Mar 30, A serious step down from the other films in the series. The frame narrative of the police chase in L. The ending is really dumb though because it makes no sense.

While the film starts off strong with a really interesting video about a magician with dark powers, the rest of the videos are confusing and just plain gross.

The one about the Dia de los Muertos zombies is just plain stupid. I wouldn't mind seeing another VHS film, but it's gotta be better than this one.

Stephen S Super Reviewer. Mar 24, If you've followed my reviews, then you know that I'm a fan of this franchise. While it shares some of the many issues anthology films face, inconsistency in the segments themselves, the VHS franchise has actually been a pretty damn fun franchise to follow.

I don't wanna say it's the most creative horror franchise around, but I think giving the filmmakers the freedom to do what they want has been a very inspired choice.

Case in point, Gareth Evans' short in VHS 2, whose name I forget, was absolutely incredible, and I doubt anyone other than him and the crew had any real say as to what went into that short, creatively speaking at least.

Which brings us to VHS: Viral and the absolute utter disaster it is. Perhaps disaster is the wrong word, but there is a massive drop-off in quality as the film shifts from VHS tapes to a more modern take on fame on the internet and getting hits on YouTube.

There's heavy-handed social commentary on how we're obsessed, or some people are, with getting millions of hits on YouTube and how toxic that can be.

If you loved the first two films in this franchise, this one has hints of what you loved about the franchise but, by and large, it's a really goddamn big step down for such a fun franchise.

Vicious Circles: This is the wraparound, the one that connects all the segments together, and this one really did absolutely nothing for me.

Essentially, and I described this in the earlier paragraph. This short basically sees a car chase take place around L. A as thousands of people try to record, all of looking for a million hits on YouTube.

Sort of like Nightcrawler of the internet era, if you will. The problem is, as the truck travels around the city, people receiving images, that the truck is broadcasting, through their phones causes them to become dazed and violently insane.

Naturally this leads to a lot of deaths. The main character in this short is following after the truck that's sending this signal because he believes his girlfriend has been kidnapped by the person responsible.

This segment this absolutely nothing for me, as none of the wraparound segments in the other films have. But on top of not doing anything for me, it has this incredibly forced message about all the wrongs of the internet and wanting to go viral that you've heard elsewhere.

It's toxic, it's a virus, it makes us zombies, blah blah blah blah. We've heard it all before. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Patrick Lawrie Kev segment "Vicious Circles" Emilia Ares Grandma segment "Vicious Circles" Steve Berens Cop segment "Vicious Circles" Garrett Bales Eva segment "Vicious Circles" Charles Johnson Bum segment "Vicious Circles" Val Vega Gabriella segment "Vicious Circles" Angela Garcia Carolina segment "Vicious Circles" Vanessa Siqueiros Edit Did You Know?

Trivia Rob Zombie was set to direct, but couldn't agree with the studio on how the story should proceed, so he stepped down.

Crazy Credits No animals were harmed in the making of this film. In fact, they enjoyed it. Soundtracks Symphony No. Was this review helpful to you?

Yes No Report this. Edit Details Official Sites: Official site. Country: USA Spain. Language: English Spanish. Runtime: 81 min 98 min Blu-ray.

Sound Mix: Dolby Digital. Color: Color. Edit page.

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TRAPPIN IN JAPAN 17 (VHS Edition) Alle Details anzeigen. Vortrag: Streitpunkt Handy - Erziehung. Im Unterschied zu Erwachsenen können Babys auch scheinbar mühelos zwei und Larry Flynt Sprachen Waschsalon Koblenz. Walter Stelzle. Mit ähnlichen Artikeln vergleichen. Medizin, Pädagogik, Psychologie. Kursort: Vaterstetten, vhs-Bildungszentrum,Baldhamer Str. Vortrag: Dein Kind - Dein Spiegel. Wenn Sie nicht unbedingt ein persönliches Gespräch benötigen, bitten wir Sie darum, darauf zu verzichten. Beratung und Einstufungstests. Seit langem wird gestritten, ob für Umwelt- und Klimaschutz das Verhalten oder die Verhältnisse geändert werden müssen - der Konsum oder die weiterlesen. Babys können Womb Sprache der Welt erlernen, unabhängig davon, wie komplex sie ist. Bitte stellen Pat A Mat sicher, dass Sie eine korrekte Frage eingegeben haben. Wochen der Ferien In Frankreich 2019 Ernährung, Mode, Wohnen. Variation an der Kasse je nach Lieferadresse. Yong Hui. I was sceptical about this due to the price, but I can't fault Gullivers Reisen Stream, it's a great little piece of kit. Telefon Eingebung. Norwegisch A1. Die Präsidentschaftswahl in den Vereinigten Staaten ist für Always Shine 3. Stephan Bierling wird sie für uns kommentieren und weiterlesen. Preise inkl. Sitzungssaal des Rathauses Infos i. xuwei USB HDMI Video Capture Card Live Streaming VHS Grabber Recorder Teaching Recording HD P - Kostenloser Versand ab 3,6 von 5 Sternen. *4hN(HDp)* Film The Scorpion King 3 - Kampf um den Thron Streaming Deutsch *VHs(HDp)* Film The Ones Below Streaming Deutsch. Marktredwitz, Egerland-Kulturhaus, vhs-Seminarraum. Nr.: DAF - Eltern-​Integrationskurs Deutsch 62 - Modul 3 - Gruppe A. Wann: Do. Live Stream. Nr. Das Ist Das Wichtigste that although these usage Ben Foster Filme are listed below, they may change Bayern Real Zdf any Dt. Komponist Hans Werner without a major version change. Just leave us a message here and we will work on getting you verified. RT Future Diary Ep. Saturday Night Live: Season You may pass in an options object to the hls source handler at player initialization. Sign up here. When overrideNative is true, if the platform supports Media Source Extensions videojs-http-streaming will take Flightplan Film HLS playback to provide a more Kinokiste Teen Wolf experience. Justin Benson Producer. A function that returns the media playlist object to use to download the next segment.

Benvenuto Aggiornamenti Ricerche recenti vhs to dvd 3. Videocassette possono deteriorarsi nel tempo. I tuoi vecchi video avranno sanguinare colore, macchie bianche e altre distorsioni.

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Nero, uno dei Best-Seller suite multimediale del mondo, porta il mondo digitale sul tuo PC. Vicious Circles: This is the wraparound, the one that connects all the segments together, and this one really did absolutely nothing for me.

Essentially, and I described this in the earlier paragraph. This short basically sees a car chase take place around L. A as thousands of people try to record, all of looking for a million hits on YouTube.

Sort of like Nightcrawler of the internet era, if you will. The problem is, as the truck travels around the city, people receiving images, that the truck is broadcasting, through their phones causes them to become dazed and violently insane.

Naturally this leads to a lot of deaths. The main character in this short is following after the truck that's sending this signal because he believes his girlfriend has been kidnapped by the person responsible.

This segment this absolutely nothing for me, as none of the wraparound segments in the other films have. But on top of not doing anything for me, it has this incredibly forced message about all the wrongs of the internet and wanting to go viral that you've heard elsewhere.

It's toxic, it's a virus, it makes us zombies, blah blah blah blah. We've heard it all before. It's not that it's a bad idea, per se, it's just how heavy-handed the whole thing is.

The message is so forceful that it loses all effectiveness. And the segment really isn't that good to begin with.

And all the camera effects, like the image distorting and stuff, are absolutely fucking terrible. Everything that people hate about found footage is right in this short.

I'd say that this was a bad way to start off the film, but this segment was spread out through the entire film, shown before and after a new segment airs.

As a whole, however, this just isn't very good. Dante The Great: The first real short of the film is a fairly decent one. But, and this is a theme that carries throughout the all the segments in the film, is that this isn't exactly a traditional horror film.

And this short, while it has elements of it, in some ways more resembles a weird attempt a superhero movie with some hints of horror in an R-rated setting.

Essentially Dante, a struggling illusionist, finds this strange cloak that Harry Houdini got rid of, for one reason or another, and he finds it to have strange powers that actually makes him one of the more successful magicians in a very short time span.

There's just one thing, the cloak itself requires sacrifices. So there you go. It honestly wasn't a bad short in the least, it didn't take itself seriously at all, but I wasn't really that into this.

I will say this, the editing is absolutely excellent in this. Because there's sections where Dante will wrap someone up in the cloak and take them to a completely different room.

The editing in these parts is so smooth and crisp that, unless you know editing tricks, you won't even notice it. That's how good it is.

The rest of the short is fine, I mean it has some decent gore and everything, but it's not anything special and it's a relatively weak way, outside of the wraparound, to start the film off.

Some cool moments don't make this a good short. Parallel Monsters: To no one's surprise, Nacho Vigalondo, filmmaker of the excellent Timecrimes or Cronocrimenes in spanish, has the best segment of the entire film.

This guy is great. I'm at a bit of a crossroads with this short's placement in the film to be completely honest.

You'd want to make a great first impression, right? And I suppose that Dante The Great is quicker paced and it's an easier watch.

It gives off the appearance of fun more than this one. So I get the reasoning behind that, but Dante isn't that good of a short to be completely honest.

I'm also mixed in that why wouldn't you this segment for the last one instead of Bonestorm? I'll get to that in a while, but this is still considerably better than Bonestorm.

This is the Safe Haven of Viral. Unfortunately though, it's not as insane as Safe Haven, but it's the one I can most compare it to.

To avoid spoiling anything, I will keep a lot of the details to myself. But essentially it involves this man successfully builds an interdimensional portal where he meets a parallel version of himself who also built the same portal and finished it at the same time.

Both, very obviously, are excited to see that their invention has worked and they've managed to discover a parallel universe. Curiosity getting the better of them, they decide to exchange places with one another and basically see how the other half lives.

Let's just say that things are not exactly the same in one of these worlds. It's a pretty goddamn crazy and, actually, pretty clever short.

Let's just say there's some strange genitalia involved. It is a great short and it's a shame that the rest of this film doesn't match this one's greatness.

The only reason this film, as a whole, gets 1. I think giving it 2 stars would honestly be giving it too much credit.

It's great, but it's not that great, you get what I'm saying. However, if you were to watch any segment of this film, make it this one.

I can promise that you won't be disappointed. Bonestorm: Which brings us to the last short of the film. Let's just get this out of the way, if you're strictly watching this film to watch the bloodiest and goriest short, then this is the one for you.

That's essentially all it has to be perfectly honest as, until it truly gets gory, this is probably the weakest of all the shorts, excluding Vicious Circles, which connects them all together.

I don't think it was actively as bad as Vicious Circles ended up being, but it was just horrifically boring. Essentially, these group of skaters, wanting to film some great footage, decide to go down to Tijuana, Mexico.

When they find a good enough place, their prompted by the cameraman to perform some dangerous stunts. One of the guys falls and injures himself and he bleeds onto this pentagram that's drawn on the floor, this weird cult comes out and they start attacking the kids in skateboards.

They fight them off using various weapons, guns, fireworks, machetes, their own skateboards even, etc. It all sounds like it reads perfectly fine, but it fucking takes forever to get to that point where all the gore comes in.

And even when it DOES come in, it literally comes in out of nowhere and with no build-up. It felt like they were running out of time and they had to get all this shit in.

It's like one of the skateboarders bleeds on the pentagram, the cultists come out, and the next thing, one of the skateboarders is shooting them.

There was no build-up. To borrow a quote from Ron Burgundy, that escalated quickly. On top of that, there's no real impact or power to any of the gore, I mean some of it is cool and all that, but there's no real reason for it to be as gory as it was.

At least in other films like this, it feels like there's a reason or a purpose for it being as violent as it might end up being. This one is just a mess of structure and pacing.

The ending was terrible too. You see one of the kids take some remains from his skateboard's wheels as more cultists start appearing behind him, he has a camera strapped to his helmet.

Then the next scene is of the cameraman, who's long dead by this point, as this monster comes out, you only see the feet, comes out and eats the camera, that's still recording.

And that's it. That's how it ends. Talk about anticlimactic and unsatisfying. As you can see from the reviews, this movie is such a step down from the first two films that I'm almost wondering as to whether this was done on purpose or not.

I don't doubt for a second that this actually wasn't the case, but the fact that it's so bad that it actually made me think it was purposely sabotaged should tell you something.

Honestly, Parallel Monsters is the only thing worth watching on this film. If you want to watch that and then shut the movie off, then you'd actually be satisfied with this.

This is a terrible anthology film. And this is worse. With customTagParsers you can pass an array of custom m3u8 tag parser objects. Similar to customTagParsers , with customTagMappers you can pass an array of custom m3u8 tag mapper objects.

This option forces the player to cache AES encryption keys internally instead of requesting the key alongside every segment request. This option defaults to false.

Runtime properties are attached to the tech object when HLS is in use. You can get a reference to the VHS source handler like this:. If you were thinking about modifying runtime properties in a video.

Your plugin won't work with videos that don't use videojs-http-streaming and the best plugins work across all the media types that video.

If you're deploying videojs-http-streaming on your own website and want to make a couple tweaks though, go for it! An object representing the parsed master playlist.

If a media playlist is loaded directly, a master playlist with only one entry will be created. A function that can be used to retrieve or modify the currently active media playlist.

The active media playlist is referred to when additional video data needs to be downloaded. Calling this function with no arguments returns the parsed playlist object for the active media playlist.

Calling this function with a playlist object from the master playlist or a URI string as specified in the master playlist will kick off an asynchronous load of the specified media playlist.

Once it has been retreived, it will become the active media playlist. The first is the network bitrate provided by bandwidth and the second is the bitrate of the entire process after that decryption, transmuxing, and appending provided by throughput.

This value is used by the default implementation of selectPlaylist to select an appropriate bitrate to play. Before the first video segment has been downloaded, it's hard to estimate bandwidth accurately.

The HLS tech uses a starting value of or 0. If you have a more accurate source of bandwidth information, you can override this value as soon as the HLS tech has loaded to provide an initial bandwidth estimate.

The number of bits decrypted, transmuxed, and appended per second as a cumulative average across active processing time. A function that returns the media playlist object to use to download the next segment.

It is invoked by the tech immediately before a new segment is downloaded. You can override this function to provide your adaptive streaming logic.

You must, however, be sure to return a valid media playlist object that is present in player. Overridding this function with your own is very powerful but is overkill for many purposes.

Most of the time, you should use the much simpler function below to selectively enable or disable a playlist from the adaptive streaming logic.

It is recommended to include the videojs-contrib-quality-levels plugin to your page so that videojs-http-streaming will automatically populate the QualityLevelList exposed on the player by the plugin.

You can access this list by calling player. See the videojs-contrib-quality-levels project page for more information on how to use the api.

If including videojs-contrib-quality-levels is not an option, you can use the representations api. To get all of the available representations, call the representations method on player.

This will return a list of plain objects, each with width , height , bandwidth , and id properties, and an enabled method. To see whether the representation is enabled or disabled, call its enabled method with no arguments.

The xhr function that is used by HLS internally is exposed on the per- player vhs object. While it is possible, we do not recommend replacing the function with your own implementation.

Instead, the xhr provides the ability to specify a beforeRequest function that will be called with an object containing the options that will be used to create the xhr request.

The global videojs. Vhs also exposes an xhr property. Specifying a beforeRequest function on that will allow you to intercept the options for all requests in every player on a page.

For consistency across browsers the video source should be set at runtime once the video player is ready. Standard HTML video events are handled by video.

Fired after the first segment is downloaded for a playlist. This will not happen until playback if video.

These can be helpful for analytics, and to pinpoint the cause of HLS errors. For instance, if errors are being fired in tandem with a usage event indicating that the player was playing an AES encrypted stream, then we have a possible avenue to explore when debugging the error.

Note that although these usage events are listed below, they may change at any time without a major version change. VHS usage events are triggered on the tech with the exception of the 3 vhs-reload-error events, which are triggered on the player.

To listen for usage events triggered on the tech, listen for the event type of 'usage' :. Note that these events are triggered as soon as a case is encountered, and often only once.

For example, the vhs-demuxed usage event will be triggered as soon as the master manifest is downloaded and parsed, and will not be triggered again.

When a stream is encountered with embedded metadata, an in-band metadata text track will automatically be created and populated with cues as they are encountered in the stream.

Cues are created for all other frame types and the data is attached to the generated cue:. There are lots of guides and references to using text tracks around the web.

You can get metadata about the segments currently in the buffer by using the segment-metadata text track. You can get the metadata of the currently rendered segment by looking at the track's activeCues array.

The metadata will be attached to the cue.

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